The Grand Lodge on Fifth

LIVE MUSIC: Todd Day Wait
2026-04-01 19:30 - 21:30 UTC
Todd Day Wait is one of the last real American Workhorse, pedal to the metal, Troubadours by way of Missouri, to California, to New Orleans and now Nashville. The original material of Todd Day Wait, is highly influenced by early American folk, country and blues music from the 1920’s through the 1960’s, embodying the spirit and authenticity of traditional American music.
Todd Day Wait, whomst you may have heard of from his millions of spins on GemsOnVHS or WesternAF writes and performs his own style of timeless country music. Harking back to Jimmie Rodgers, Willie Nelson, Wynn Stewart and Kris Kristofferson he keeps the spirit of country music alive. In 2009 he put all his earthly belongings on the curb and hit the road, in his diesel shuttle bus fueled by vegetable oil, for a never ending tour. From busking the streets of New Orleans, to playing in the shadow of European castles, to lighting up the honky-tonk dance floors in Nashville, Todd keeps it 60/50.
Devin Metzger and the Cane Holler Saints rise from the backroads of Kentucky with a southern rock sound that’s equal parts sermon and barroom brawl—a howl in the dark, a hymn for the restless, and a story that shouldn’t be told before Sunday morning.

Private Event
2026-04-04, 2026-04-18, 2026-05-23, 2026-08-27 - 2026-08-29, 2026-09-25 - 2026-09-27, 2026-10-16 - 2026-10-18, 2026-12-04 - 2026-12-07, 2026-12-11 - 2026-12-12 and 1 more date

Supper Club
2026-04-11 18:00 - 21:00
An intimate evening of shared tables, seasonal flavors, live music, and thoughtful conversation. Our Supper Club is a relaxed gathering designed to slow down, connect, and enjoy the simple joy of a well-curated night together.
Tickets on sale soon.

LIVE MUSIC: Wayne Hancock
2026-04-14 19:00 - 21:00
Wayne Hancock has more Hank Sr. in him than either I or Hank Williams Jr. He is the real deal.” – Hank III
“Hancock, who tosses out a roots mix of old country, roadhouse blues, western dance swing, boogie bop, and straight-up rockabilly, takes what was once old and makes it seem like it’s always been and always will be.”—allmusic.com
“The country music scene could do with a lot more characters like Wayne, who push the music’s limits while staying truer to its roots than any well-known names associated with the genre today.” – Slug Magazine
Since his stunning debut, Thunderstorms and Neon Signs in 1995, Wayne “The Train” Hancock has been the undisputed king of Juke Joint Swing–that alchemist’s dream of honky-tonk, western swing, blues, Texas rockabilly and big band. Always an anomaly among his country music peers, Wayne’s uncompromising interpretation of the music he loves is in fact what defines him: steeped in traditional but never “retro;” bare bones but bone shaking; hardcore but with a swing. Like the comfortable crackle of a Wurlitzer 45 jukebox, Wayne is the embodiment of genuine, house rocking, hillbilly boogie.
Wayne makes music fit for any road house anywhere. With his unmistakable voice, The Train’s reckless honky-tonk can move the dead. If you see him live (and he is ALWAYS touring), you’ll surely work up some sweat stains on that snazzy Rayon shirt you’re wearing. If you buy his records, you’ll be rolling up your carpets, spreading sawdust on the hardwood, and dancing until the downstairs neighbors are banging their brooms on the ceiling. Call him a throwback if you want, Wayne just wants to ENTERTAIN you, and what’s wrong with that?
Wayne’s disdain for the slick swill that passes for real deal country is well known. Like he’s fond of saying: “Man, I’m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That’s me.”
Little known fact: Wayne is the only Bloodshot artist to have had their CD taken aboard a space shuttle flight.
“A rare breed of traditionalist, one who imbues his retro obsessions with such high energy and passions that his songs never feel like the museum pieces he’s trying desperately to preserve.” —AllMusic.com
Nicky Diamonds is an Afro-Indigenous Country-Roots/Blues Musician from San Antone, TX currently stationed in Nashville, TN. Pulling inspiration from old hymn books and family history, he’s recounting the stories of his ancestors through his unique songwriting style. By keeping the roots of country and blues alive he puts a captivating twist to the tales and tunes of our people.
Nicky spends most of his time touring the country with his 95 year old Dobro and occasionally with his band ‘The Deepcuts’. His new delta blues album, recorded at Willie Nelson’s studio in Spicewood, Texas, is set to release in Spring 2025. If you’re lucky enough you’ll catch Nicky at a Honky Tonk or Juke Joint close to home. His live show is a sight to see and you’ll leave with a groove stuck in your bones

LIVE MUSIC: Sinkane with Groovelane
2026-04-21 19:00 - 21:00
Despite–or rather, because of–his unclassifiable sound, the City Slang signee is championed by a multitude of musical legends. Prior to embarking on his solo career, he worked with Eleanor Friedberger, Caribou, of Montreal, Born Ruffians, and Yeasayer as a session musician.
As Band Leader and Music Director of the Atomic Bomb! Band, he’s collaborated with rotating group members including David Byrne, Money Mark, Damon Albarn, Dev Hynes, Alexis Taylor, Amadou and Mariam, Jamie Lidell, Pharoah Sanders, Joshua Redman, among others.
Gallab’s music is his personal story, but it’s also everyone’s story. This truly universal approach leaves no room for irony or cynicism. Fueled by Gallab’s very heartbeat, it erupts into an ambitious, dazzling sound only conceivable by Sinkane.

He recently released his 8th studio album, “We Belong” It’s pop. It’s funk. It’s electronic. It blends the gritty punk newness of a 70s and 80s New York with the steady, foundational soul of the rhythms of his native Sudan. It moves and travels—through words and eras, through emotion and healing. Gallab calls this album his “love letter to Black music,” and each track pulses with the energy of different eras and forms: the gospel-soaked “Everything Is Everything,” the dreamy, Quiet Storm-influenced Afro-beats of “Rise Above,” the 70s-funk of “We Belong” and its Sly Stone influence, the Stevie Wonder-edged “Another Day”—they tell a story about Black music and Black people.

LIVE MUSIC:
2026-05-01 08:00 - 17:00 | Grand Hall
Details coming soon!

LIVE MUSIC: Kat Rivers with Gina Caturano
2026-05-05 19:00 - 21:00
Details coming soon

LIVE MUSIC: Fate Mcafee Album Release
2026-07-04 08:00 - 17:00

LIVE MUSIC: Haas Sisters
2026-07-05 08:00 - 17:00 | Grand Hall

LIVE MUSIC: Halloween Ball
2026-10-31

LIVE MUSIC: New Year's Eve Ball
2026-12-31
